Oh No It Isn't
by Grahamtheatre, comedy
They’re the best of sisters onstage but the worst of friends off it, can they keep the professional professional and the personal personal?
about the production
They’re the best of sisters onstage but the worst of friends off it! It's the final performance of Cinderella in a traditional, regional theatre and backstage tensions threaten to boil over onstage! Will the egotism, one-up-manship and sexual politics remain confined to the dressing room? Will the ugly sisters keep the professional professional and the personal personal? Will we ever find out what happened during Babes In The Wood?! Based on a lifetime of experience OH NO IT ISN’T is a hilariously funny and beautifully moving new play exploring the highs and lows of life in theatre.
about the artist
A young company from across England that have been mentored at the award-winning Hope Theatre, Islington. Writer/performer Luke Adamson has toured his plays UK-wide. He has also been nominated for three awards in the past twelve months. He is the associate director at The Hope. Kennedy Bloomer graduated from Mountview's directing course and has gone on to direct at The Hope Theatre, The Old Red Lion and Leicester Square Theatre and is Artistic Associate at The Hope. Toby Hampton is currently theatre assistant at The Hope and is directing A New Musical at Upstairs at the Gatehouse later this year.
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stage dimensions
width: 5 metres
height: 3 metres
depth: 4 metres
We require a full sound system with PC input to run our around cues. We will provide a laptop with Qlab for this.
We will require a basic lighting rig with programmable/customisable desk. We will provide any colours/gobos required.
We have a small slapstick scene and will provide appropriate waterproofing for this.
16+ (due to very strong language)
“The brief performance was both entertaining and insightful, energetic and a tad exhausting to watch. It had my full attention from beginning to end. I haven’t laughed so much in a single show for quite some time. An excellent production.”
“It was great to see such enthusiasm displayed for a genre that’s so often reserved for children and their grandparents at Christmas time, on a Monday evening in May."
We are unable to offer signed, audio described or captioned performances for this show. This show is not suitable for relaxed performances.
We could offer post show discussions with cast and crew if of interest.
Looking to work on a 50/50 box office split with a guarantee of £300 per performance (for one off performances) or £200 per performance (for more than two consecutive nights) in our favour.
We could also offer the show for a flat fee of £400. All open to negotiations.
